TEENAGE JESUS AND THE JERKS
Teenage Jesus And The Jerks - (1979)

The first band formed by vocalist/guitarist/provocateur Lydia Lunch, Teenage Jesus & the Jerks were the center of New York's short-lived no wave movement. Cacophonous, confrontational, and fiercely inaccessible, Teenage Jesus generally played ten- to 15-minute shows, never released a full-length album, and disbanded after a relatively brief existence. Even so, they were instrumental in laying the groundwork for the noise rock movement of the '80s, and their work still sounds as forbidding and uncompromising as anything their spiritual followers recorded. Born Lydia Koch in Rochester, NY, Lunch founded Teenage Jesus & the Jerks in 1977 when she was just 16. Initially, the group included saxophonist James Chance (who soon left to form the Contortions), Japanese bassist Reck, and drummer Bradley Field. In 1978, Reck returned to Japan and was replaced by Gordon Stevenson; thus constituted, the trio recorded four tracks with producer Brian Eno for the 1978 compilation No New York, the seminal no wave document. By 1979, when the band issued a couple of EPs on the Lust/Unlust label, bassist/percussionist Jim Sclavunos had joined the group; however, they disbanded by the end of the year, as Lunch moved on to other projects. The group's complete recorded output was eventually reissued on CD by the Atavistic label under the title Everything. (allmusic.com)

http://www.mediafire.com/?goheg989ngmpccz

BIG SEXY NOISE
Big Sexy Noise - (2009)

Big Sexy Noise follow up their vinyl mini album with this full blown Self Titled CD. The band, fronted by Lydia Lunch and Gallon Drunk alt-rockers James Johnston, Terry Edwards and Ian White, have recorded a further five Johnston/Lunch originals plus a Lynyrd Skynyrd cover to complement the original six tracks. Big Sexy Noise is the primaeval bump, grind and holler of White's thuggish drums, Johnston's moronic low-tuned riffing and Edwards' brutal organ and sax interventions led by Lunch's take-no-prisoners vocals.

http://www.mediafire.com/?6oxsn4b6d62umk4

LYDIA LUNCH
Honeymoon In Red - (1987)

Lydia Lunch collaborated with a wide variety of musicians on Honeymoon in Red, including Clint Ruin (later known as Jim Foetus), Roland S. Howard and the Birthday Party. The result isn't that much different from the standard Lunch album, but it has a stronger collection of songs than her average album, and the Birthday Party captures the sound of urban life imploding, which is the sound Lunch is always striving to achieve.

http://www.mediafire.com/?h2erfn3zm3z

LYDIA LUNCH & ROWLAND S. HOWARD
Shotgun Wedding - (1991)

Lydia Lunch first attracted the attention of punk and new wave audiences in the late '70s, when she sang lead with the very underground Teenage Jesus & the Jerks (best known for their tortured 1979 single "Baby Doll"). Always one who liked her music dark and troubling, Lunch never appealed to mainstream rock tastes, but has enjoyed a small cult following. When she joined forces with guitarist Rowland S. Howard for 1991's Shotgun Wedding, it was clear that Lunch hadn't adopted a more cheerful outlook. Songs like "Endless Fall," "Black Juju" and "Burning Skulls" are as morbid as they are captivating, and a superb remake of Led Zeppelin's "In My Time of Dying" fits right in. In Lunch's hands, the Zep classic loses its bluesy heavy metal appeal and acquires an eerie folk/gothic quality. This alternative rock gem is one of Lunch's greatest achievements. (allmusic.com)

http://www.mediafire.com/?xjewgmkkwty

LYDIA LUNCH
Queen Of Siam - (1980)

Her laconic slur of a voice has never sounded sexier, and her off-key rendition of "Spooky" is so lazily erotic that it nearly sucks the life out of you. A putrid classic of style and substance.

http://www.mediafire.com/?sharekey=300c8e89fa751bc3ab1eab3e9fa335ca48e6b682174f9954

LYDIA LUNCH
Hysterie - (1986)

Released on her self-owned label, Hysterie is a two-disc, one-decade retrospective of Lydia Lunch's diverse musical career. The set is split into four distinct segments, the first covering the influential "aural terror" band Teenage Jesus & the Jerks. The second recapitulates the relatively obscure Beirut Slump, in which Lunch played guitar but did not sing. The best material is taken from her work with the chaotic no wave group 8 Eyed Spy, while the collection ends with samples from Lunch's side projects with collaborators Rowland Howard, Sort Sol and Die Haut.

http://www.mediafire.com/?sharekey=300c8e89fa751bc395af63b7d44918aa7ab3d5bd866d6d69