THE MUSIC TAPES
Music Tapes For Clouds And Tornadoes - (2008)

From the sound of things, not all that much has changed for Julian Koster in the nine years since his Music Tapes project made its somewhat perplexing initial appearance with First Imaginary Symphony for Nomad. Music Tapes for Clouds and Tornadoes finds the elusive, eccentric Koster still fixated on homemade and otherwise unconventional instruments (including such creations as a "fun machine" and "the Seven Foot Tall Metronome," along with his trusty banjos and otherworldly singing saws); still futzing around with archaic recording methods (no Edison cylinders this time around, but the credits do list a record lathe, a wire recorder and ribbon microphone from the 1930s, and several pieces of equipment from the '50s and '60s); and still warbling dreamily to, for, and about insentient entities and natural forces (in this case, as the title suggests, primarily meteorological phenomena, as well as reindeer). There are some definite musical developments here, most notably a shift away from the jumbled sound collage aesthetic to a more direct and melodic song-based approach, but the most striking change may be one of context. Whereas Nomad was released at the height of the Elephant 6 Recording Company's prolificacy and success, and got somewhat overlooked in the shuffle, the intervening years have seen the E6 collective's output dwindle and then essentially halt altogether, while its stature and the cult fascination with its works (most prominently Neutral Milk Hotel's In the Aeroplane Over the Sea, to which Koster was a significant contributor) have continued to increase; the upshot being that considerable attention was paid to this new offering. (allmusic.com)

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